![]() ![]() "As a stand-up and live performer," Sherwin tells me, "I see a TON of terrible musical comedy, and I think there's a big, somewhat-justified stigma against it. In a sense, comedy music has just gotten better. The series has grown to be revered all over the online world and has created a career for founders Lloyd Ahlquist and Peter Shukoff.Īs the age of YouTube, Funny Or Die and other comedy outlets continue to allow budding comedy musicians to get their material out there, one certainty that stands is the fact that competition has grown immensely, which leaves behind the amateurs –– allowing the ones of true desire and skill to reign. Speaking of the "visually cool" and "catchy/memorable," Sherwin has been a part of YouTube's rising Epic Rap Battles of Historyseries, which places two historic figures (past or present) against one another via a rap battle. They lend themselves to being short and visually cool and catchy/memorable." All of which seem perfectly suited for the YouTube format. The Lonely Island's " Lazy Sunday" kicked off a seemingly infinite army of comedy rap videos, and comedy songs and non-song music stuff, like Auto-Tune the News or MysteryGuitarMan. ![]() Which leads to the question of why has the field suddenly become so level? Why has the Internet allowed comedy music to become "the real thing," something not only judged appropriately today but also something that has created a world of up-and-comers and a slew of endless possibilities for dreamers? Yankovic believes it's a simple answer: because of these online platforms and outlets, the idea of what's "funny" and "right" has been put back into the hands of the people, allowing us to make the decisions.Ĭomedian-rapper Zach Sherwin tells me, "The Internet, for better or worse, has made comedy music a huge deal.
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